MARCUS KENNEY

Exhibition details:

On View: April 4 - June 10

Reception: April 14th, 7-10 PM

Laney Contemporary is pleased to announce Desolation Row, a solo exhibition of new paintings and a video-based sculptural installation by Savannah-based Marcus Kenney. This is Kenney’s second solo show at Laney Contemporary and his first solo exhibition in Savannah in five years.

Bob Dylan’s song Desolation Row portrays an epic series of vignettes of 1960s America. Vivid and acerbic, it suggests and encounters without moralizing. Kenney’s brave body of work borrows Dylan’s title, producing a kaleidoscopic vision that confronts the ugliness of humanity that exists today: our sadness, our tragedies, and our desires.

The iconography of Kenney’s Desolation Row sits comfortably among the faces of Goya and Bosch. The paintings establish a parade of characters, raucous, abject, and dangerous, each more odd and unusual than the next. His giddy use of color and simplicity of form belie a deeper tragic longing for civility and the difficulty of existing in a world that we desperately want to believe in. Everywhere, ignorance runs amok, yet there are still signs of hope and possibility.

Dylan’s Desolation Row has been called a folk song of the absurd. Kenney’s paintings inhabit a similar space, confronting all that stares out at us, all that mirrors our times: the true, the violent, and the raw. It’s both of the 1960s and of today, timeless in its circus of humanity. Like Dylan’s lyrics, the paintings ask for an interpretive openness. The difficulties of being human, whilst maintaining compassion in our age of global crisis, and rampant self-indulgent behavior is at the heart of this fearless work. The paintings do not tell us what to think; they are more demanding. They require us to think.

For the full press release, click here